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The Sheffield culture guide written by in-the-know locals

Going Public

Going Public: International Art Collectors in Sheffield was a project conceived to explore how public galleries and philanthropists can better develop meaningful, mutually beneficial relationships. It launched in 2015, led by Museums Sheffield in partnership with Sheffield Cathedral, Sheffield Hallam University's Sheffield Institute of Arts Gallery and Site Gallery.

The first edition of Going Public brought work from some of Europe’s finest private collections of contemporary and 20th century art to Sheffield in a citywide series of exhibitions, accompanied by a major summit. It continued in 2016 with Going Public: The Napoleone Collection, an exhibition at the Graves Gallery of highlights drawn from the collection of Valeria Napoleone, the foremost collector of work by women contemporary artists. And it returned in 2017 with Going Public: The Kirkland Collection, curated by Jack Kirkland from his personal collection.

See below for a series of videos featuring interviews with the collectors, in which they discuss their individual approaches to collecting art.

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Musical Numbers

Sheffield Theatres have compiled some favourite numbers from their big musicals of previous years, including The Wizard of Oz, Everybody's Talking About Jamie, Kiss Me Kate, and Guys and Dolls.

Stoneface Creative

A pretty ancient woodland turned magical gallery – now home to a sleeping giant, a rearing horse, and a changing and charming array of grindstone carvings and sculptures.

CMC 2015 Keynote: Jenny Sealey

Since becoming deaf at the age of seven, Jenny Sealey has been determined to tackle challenges her way. In this talk on the theme 'All Change,' she discusses her work in creating a new theatrical language where difference is embraced as the norm.

Platform Instagram Takeover: Joanna Whittle

View painter Joanna Whittle's weeklong Site Gallery Platform Instagram Takeover. Here she explores the developmental parts of her practice – research, drawing, printmaking and ephemeral pieces – rather than finished material.