A series delving into the archives of British feminist film collectives from the 70s to the present day, highlighting the power of the collective voice and looking at the politics/experiences of race, class, nationality, gender, sexuality and labour.
Our Favourite Places would be nothing without our contributors — a massive thanks to all of them!
Tell us about you…
I like the smell of fresh ink on paper and cashing in loyalty cards for coffee.
What does Sheffield mean to you?
Quite simply, it’s where I feel at home.
What’s your favourite Sheffield place?
Rare and Racy. Maybe it’s the free jazz and the incense emanating from out back, but its air is always calming. I’d set up camp in there indefinitely if they’d have me. And if things like that were socially acceptable. [Update: Rare and Racy has sadly now closed.]
What would you do to improve the city?
A funicular up to Park Hill. Cable cars between Kelham Island and Parkwood Springs. But really I’d settle for more independent, city-centre stockists of good books and music, and fewer beautiful buildings left standing sad, empty and crumbling.
Lea Tsemel is a Jewish-Israeli human rights lawyer who for 50 years has defended Palestinian political prisoners – becoming caught up in the complexities of power relations. This film shares the political significance and personal price of her work.
Mariam Ghani digs out films from communist era Afghanistan – films that survived civil war, the Taliban, and the US invasion, but were never finished. She uncovers histories left untold, exploring the impact of war, censorship and politics on art.
Light Cinema, The Moor, S1 4PF
In the 90s several construction firms kept a secret list of "troublemakers" to avoid – i.e. workers involved in disputes/left-wing politics. This film follows the community that built up to fight for justice when the list finally came to light.