This website uses cookies. Read more about our cookie/privacy policy.

Accept and Close

The Sheffield culture guide written by in-the-know locals

Althea Bury (Narrator, Angel, Mama) and Saskia Rose (Anna Hibiscus) in Anna Hibiscus' Song. Photo by Chris Saunders

Lovingly adapted from the best-selling children’s book of the same name, Utopia Theatre’s Anna Hibiscus' Song is a riotously fun family show. It's one that will plant the seeds of a lifelong love for theatre among its young audience.

“I feel so happy that I could burst into a thousand stars!” is the problem we see Anna, magically brought to life through puppetry, face. We follow her as she visits various family members, asking: what do you do when you’re so happy you could burst?

It isn’t easy adapting a children’s tale to theatre. The original story and simplified pacing can be restrictive, posing the threat of erring on the repetitive. Utopia Theatre tackle it head on, infusing dancing, African drumming and infectious songs into the show. It's so high energy and engaging that it's impossible for the audience not to join in.

This is where the strength of the play lies and the performance really shines. We’re kindly commanded to get on our feet – mirroring dance routines, singing along and becoming part of the performance. The result is joy all round, with every audience member having a semi-permanent smile plastered across their face.

The children are invited to sit within the inner circle of the stage. It’s almost as entertaining watching their faces aglow with glee as it is watching the actors’ performances.

Dorthea Darby (Grandmother, Ben, Uncle Tunde) and Malick Bojang (Grandfather, Chocolate) in Anna Hibiscus’ Song. Photo by Chris Saunders

An utterly immersive, intimate piece of theatre, Anna Hibiscus' Song is lovingly crafted for children and their grown-ups alike. It's truly charming to witness such a colourful world through the eyes of Anna.

Utopia Theatre and its immensely talented team are the beating heart of the production. Born from a love and commitment to bringing traditional African storytelling and theatre to the stage, the cast and production inject so much love and care into the piece that they shine almost as brightly as a thousand stars themselves.

Anna Hibiscus' Song continues its run at the Playhouse within the Crucible until 15 July, before visiting community venues.

Suitable for ages 3+.

Performance dates:
Tanya Moiseiwitsch Playhouse (within the Crucible): 7–15 July – book now
The Montgomery: 18–19 July – book now
Terry Wright Community Hall, Gleadless: 20 July – book now
Verdon Recreation Centre, Burngreave: 21 July – booking open soon
Stannington Community Centre: 22 July – book now
Zest Centre & Sports Hall, Upperthorpe: 29–30 July – book now

Find out more about Utopia Theatre in our Meet the Locals interview with founding CEO and artistic director Mojisola Kareem-Elufowoju.

You might also like...

Little Shop of Horrors

Sat. 7 December 2024 — Sat. 18 January 2025

Crucible Theatre

“Everything you could ask for from a musical, and then some.” Leah Scorah reviews this year’s visually mesmerising, delightfully chaotic Crucible Christmas musical. A darkly comedic story of a bloodthirsty plant upending a struggling florist’s life.

Death and the King's Horseman

Mon. 3 February 2025 — Sat. 8 February 2025

Crucible Theatre

Set in Nigeria in the late 1940s and based on a true story, Elesin, the king's horseman, is tasked with carrying out a sacred ritual upon the death of the king. However Elesin is overtaken by the allure of earthly desires.

Crucible Theatre

The Crucible is a very modern theatre. Outside, its colourful facade keeps Tudor Square well-lit by night, whilst inside it boasts a polygonal shape and thrust stage. Its programme is well known for seasons dedicated to 20th-century playwrights.

Chris Bush

The playwright behind the Park Hill-set musical Standing at the Sky’s Edge talks about tackling big ideas through theatre, and finding honest human stories that an audience can connect with.